All Diego Velazquez 's Paintings
The Painting Names Are Sorted From A to Z

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Choice ID Image  Paintings (From A to Z)       Details 
756 El Primo (Diego de Aceda)  El Primo (Diego de Aceda)   1644 Museo del Prado, Madrid
86259 El retrato del llamado barbero del Papa es un cuadro pintado por Velazquez en su segundo viaje a Italia.  El retrato del llamado barbero del Papa es un cuadro pintado por Velazquez en su segundo viaje a Italia.   Date between 1649(1649) and 1651(1651) Medium Oil on panel Dimensions 50.5 x 47 cm (19.9 x 18.5 in) cjr
30560 Equestraian Portrait of Gaspar de Guzman,Duke of Olivares  Equestraian Portrait of Gaspar de Guzman,Duke of Olivares   mk68 Oil on canvas Madrid,Prado c.1632-1634 Spain
94828 Equestrian Portrait of Margarita of Austria  Equestrian Portrait of Margarita of Austria   Oil on canvas, 297 x 309 cm cyf
94831 Equestrian Portrait of Philip III  Equestrian Portrait of Philip III   1634-1635 Type Oil on canvas Dimensions 300cm(9.8 ft) cm x 314cm cyf
94838 Equestrian Portrait of Philip IV  Equestrian Portrait of Philip IV   1635-1636 Type Oil on canvas Dimensions 301 cm x 314 cm cyf
94832 Equestrian Portrait of Prince Balthasar Charles  Equestrian Portrait of Prince Balthasar Charles   1635 Type Oil on canvas Dimensions 209 cm x 173 cm cyf
94829 Equestrian Portrait of the Count Duke of Olivares  Equestrian Portrait of the Count Duke of Olivares   1634 Type Oil on canvas Dimensions 313 cm x 239 cm cyf
22703 Esope (df02)  Esope (df02)   c 1639-1641 Aesop Asop 179.5 x 94 cm
22661 Etude pour la tete d'Apollon dans La Forge de Vulcain (df02)  Etude pour la tete d'Apollon dans La Forge de Vulcain (df02)   1630 Study for the Head of Apollo in The Forge of Vulcan Kopf des Apoll in der "Schmiede des Vulkan 36.3 x 25.2 cm
70394 Evangelist Johannes auf Patmos  Evangelist Johannes auf Patmos   Medium Oil on canvas Dimensions Deutsch: 135,8 ?? 102,3 cm
45538 Farmer meal  Farmer meal   mk186 1618 Budapest, Szepmuveszeti Muzeum
32891 Forge of Vulcan  Forge of Vulcan   mk84 1630 Madrid,Prado,canvas 223x290cm
32892 Foseph's Bloodied Coat Presented to Facob  Foseph's Bloodied Coat Presented to Facob   mk84 1630 EL Escorial Nuevos,Moseos,Canvas 217x285cm
754 Francisco Lezcano  Francisco Lezcano   1636-38 Museo del Prado, Madrid
32897 Francisco Lezcano  Francisco Lezcano   mk84 1636-40 Madrid,Prado canvas 107x83cm
53803 Francisco Lezcano  Francisco Lezcano   mk234 1636-38 107x83cm
56687 gammal kvinna tillagar agg  gammal kvinna tillagar agg   mk248 den bar sortens malning kallas for bodegon, bokstavligen spanska for vardsbus men i allmanbet anvant i betydelsen stilleben med koksmotiv. alla foremalen ar starkt belysta framifran tillsammans uppvisar de en mangfald av ytor ocb material. men tror att velazquez malade tavlan som ett slags reklamskylt avsedd att demonstrera bans skickligbet, ocb att ban bade den med sig nar ban for till madrid ibopp om att finna en uppbojd mecenat.
39505 Gaspar de Guzman,Count-Duke of Olivares,on Horseback  Gaspar de Guzman,Count-Duke of Olivares,on Horseback   mk149 1635
768 Head of a Stag  Head of a Stag   Museo del Prado, Madrid
22503 Head of a Stag (df01)  Head of a Stag (df01)   1626-1627 Cat no 33
45816 Horseman picture Philipps iii  Horseman picture Philipps iii   mk178 around 1634/35 oil on linen 300x314cm
22584 Ignudi (df01)  Ignudi (df01)   Michelangelo 1508-1512
88676 Im Garten der Villa Medici in Rom  Im Garten der Villa Medici in Rom   c. 1630 Medium Oil on canvas Dimensions Deutsch: 48 x 42 cm cjr
62307 Infanta  Infanta   1630 Oil on canvas, 60 x 46 cm Museo del Prado, Madrid When the Infanta Do?a Mar?a, daughter of Philip III and Queen Margarita, set out for Vienna in December 1629 to meet the husband who had been chosen for her long before, the king of Hungary, later Emperor Ferdinand III, her journey included a stay of several months in Naples in 1630. Vel?zquez made haste to Naples to portray his sovereign's sister', who was famous for her beauty. He worked with the utmost care to emphasize the enamel-like smoothness of her fine features. Every detail, for instance the typically protuberant Habsburg lower lip, shows a striking similarity to the living model. The delicate carmine of her lips, the beautiful Titian shade of her hair, depicted in relaxed brushstrokes with dark brown shadows and bright yellow highlights, all display the artistic skill now at the command of Vel?zquez in his harmonious combination of state splendour with the individuality of his sitter. The carefully modelled face in this head-and-shoulders portrait was to serve as the basis for several full-length portraits of the Infanta, workshop copies that may have been intended as gifts to royal residences abroad
22537 Infanta Dona Maria,Queen of Hungary (detail) (df01)  Infanta Dona Maria,Queen of Hungary (detail) (df01)   1630
22499 Infanta Margarita (df01)  Infanta Margarita (df01)   1653 Cat no 122
22599 Infanta Margarita (df01)  Infanta Margarita (df01)   Unfinished work,completed by Juan Bautista Martinez del Mazo c 1660 Madrid,Museo del Prado
22602 Infanta Margarita (df01)  Infanta Margarita (df01)   1653
22605 Infanta Margarita (df01)  Infanta Margarita (df01)   c 1656
22614 Infanta Margarita (df01)  Infanta Margarita (df01)   1659
39728 Infanta Margarita Teresa in a blue dress  Infanta Margarita Teresa in a blue dress   mk150 1659 Canvas 127x107cm
39736 Infanta Margarita Teresa in a pink dress  Infanta Margarita Teresa in a pink dress   mk150 c.1653/4 Canvas 128.5x100cm
94895 Infanta Margarita Teresa in a Pink Dress  Infanta Margarita Teresa in a Pink Dress   1660 Type Oil on canvas Dimensions 212 cm x 147 cm cyf
70822 infanta margarita vid tre ars alder  infanta margarita vid tre ars alder   olja pa duk 99.5x128cm 1816 se
22587 Infanta Maria Teresa (df01)  Infanta Maria Teresa (df01)   1648
22588 Infanta Maria Teresa (df01)  Infanta Maria Teresa (df01)   1651 x 1652
22601 Infanta Maria Teresa (df01)  Infanta Maria Teresa (df01)   1652-1633
80012 Infanta Maria Theresa, daughter of Philip IV of Spain, wife of Louis XIV of France  Infanta Maria Theresa, daughter of Philip IV of Spain, wife of Louis XIV of France   1653(1653) Oil on canvas 128.6 x 100.6 cm (50.6 x 39.6 in) cjr
70823 infantan margarita vid atta ars alder  infantan margarita vid atta ars alder   olja pa duk 107x127cm 1700-talet se
22521 Infante Don Carlos (df01)  Infante Don Carlos (df01)   1628
39737 Infante Felipe Prospero  Infante Felipe Prospero   mk150 1659 Canvas 128.5x99.5cm
22597 Innocent X (detail) (df01)  Innocent X (detail) (df01)   1650
22542 Isabel Clara Eugenia with Magdalena Ruis (df01)  Isabel Clara Eugenia with Magdalena Ruis (df01)   Alonzo Sanchez Coello's student c 1585
78933 Isabel de Borbon  Isabel de Borbon   . 1630(1630) Medium Oil cyf
22659 Jacob recevant la Tunique de Joseph (df02)  Jacob recevant la Tunique de Joseph (df02)   Joseph's Bloody Coat Brought to Jacob Josefs blutiger Rock wird Jakob gebracht 223 x 250 cm
22607 Jan Arnolfini and his Wife,Jeanne Cenami (df01)  Jan Arnolfini and his Wife,Jeanne Cenami (df01)   Jan Van Eyck 1434 London,The National Gallery
94845 Jester Barbarroja  Jester Barbarroja   1637-1640 Type Oil on canvas Dimensions 200 cm x 121.5 cm cyf
94842 Jester Calabacillas  Jester Calabacillas   1637-1639 Type oil on canvas Dimensions 106.5 cm x 82.5 cm cyf
94848 Jester Don Diego de Acedo  Jester Don Diego de Acedo   1645 Type oil on canvas Dimensions 106 cm x 83 cm cyf
94825 Jester Named Don John of Austria  Jester Named Don John of Austria   1632-1633 Type Oil on canvas Dimensions 210 cm x 124.5 cm cyf
22533 Jose de Ribera (df01)  Jose de Ribera (df01)   Archimedes (detail) 1630
94820 Joseph s Tunic  Joseph s Tunic   1630 Type Oil on canvas cyf
734 Joseph's Bloody Coat Brought to Jacob  Joseph's Bloody Coat Brought to Jacob   1630 Monasterio de San Lorenzo, El Escorial
22541 Joseph's Bloody Coat Brought to Jacob (df01)  Joseph's Bloody Coat Brought to Jacob (df01)   1630
97077 Josephs bloody coat brought to Jacob  Josephs bloody coat brought to Jacob   1630(1630) Medium oil on canvas Dimensions 223 X 250 cm cyf
62308 Juan  Juan   109 x 107 cm Museo del Prado, Madrid Monta??s was the greatest Spanish sculptor of the 17th century, known as 'el dios de la madera' (the god of wood) on account of his mastery as a carver. He worked for most of his long and productive career in Seville. Vel?zquez painted this portrait in Madrid when the sculptor made a portrait head of King Philip IV
773 Juan de Pareja  Juan de Pareja   1650 Metropolitan Museum of Art, New York
61398 Juan de Pareja  Juan de Pareja   Juan de Pareja (1650)
22589 Juan de Pareja (detail) (df01)  Juan de Pareja (detail) (df01)   1649-1650
83197 Juan Mateos  Juan Mateos   Date ca. 1634(1634) Medium Oil Dimensions Height: 109 cm (42.9 in). Width: 90 cm (35.4 in). cjr
87302 Juan Mateos  Juan Mateos   . 1634(1634) Medium Oil cyf
87383 Kind des Vallecas  Kind des Vallecas   1643-1645 Medium Oil on canvas Dimensions Deutsch: 107,5 x 83,5 cm cyf
43107 Kitchen Scene with Christ in the House of Martha and Hary  Kitchen Scene with Christ in the House of Martha and Hary   mk170 circa 1618 Oil on canvas 60x103.5cm
79123 Konigin Maria Anna von Spanien in hellrotem Kleid  Konigin Maria Anna von Spanien in hellrotem Kleid   um 1655/1660 cjr
80425 Konigin Maria Anna von Spanien in hellrotem Kleid  Konigin Maria Anna von Spanien in hellrotem Kleid   Deutsch: um 1655/1660 Medium Deutsch: Leinwand Dimensions Deutsch: allseitig beschnitten, obere Ecken ergänzt: 128,5 x 99 cm cyf
22628 L'Adoration des Mages  L'Adoration des Mages   1619 The Adoration of the Magi Anbetung der Heiligen Drei Konige 204 x 126.5 cm (df02)
22626 L'Immaculee Conception (df02)  L'Immaculee Conception (df02)   c 1619 The Immaculate Conception of the Virgin Jungfrau der Unbefleckten Empfangnis 135 x 101.6 cm
22732 L'Infante Marguerite (df02)  L'Infante Marguerite (df02)   c 1656 Infanta Margarita Infantin Margarete 105 x 88 cm
22674 La Crucifixion (df02)  La Crucifixion (df02)   c 1632 Christ on the Cross Christus am Kreuz 250 x 170 cm
22690 La Dame a I'eventail (df02)  La Dame a I'eventail (df02)   c 1635 Lady with a Fan Frau mit facher 95 x 70 cm
22633 La Fille de Cuisine (df02)  La Fille de Cuisine (df02)   c 1620 The Kitchen Maid Kuchenszene 55.5 x 104.5 cm
22660 La Forge de Vulcain (df02)  La Forge de Vulcain (df02)   1630 The Forge of Vulcan Schmiede des Vulkan 222 x 290 cm
22716 La Legende d'Arachne (Les Fileuses) (df02)  La Legende d'Arachne (Les Fileuses) (df02)   c 1644-1648 The Fable of Arachne (Las Hilanderas) Sage der Arachne (Die Spinnerinnen) [167 x 252 cm] 222.5 x 293 cm (avec agrandissements)
22635 La Mere Jeronima de la Fuente (df02)  La Mere Jeronima de la Fuente (df02)   1620 Mother Jeronima de la Fuente Mutter Jeronima de la Fuente 162 x 107 cm
22636 La Mere Jeronima de la Fuente (df02)  La Mere Jeronima de la Fuente (df02)   1620 Mother Jeronima de la Fuente Mutter Jeronima de la Fuente 162.5 x 105 cm
94813 La mulata  La mulata   1618-22 Type oil on canvas Dimensions 104.5 cm x 55 cm cyf
22686 La Reddition de Breda (Les Lances) (df02)  La Reddition de Breda (Les Lances) (df02)   1634-1635 The Surrender of Breda (Las Lanzas) Ubergabe von Breda (Die Lanzen) 307.5 x 370.5 cm
22617 La Reddition de Breda ou Les Lances (detail) (df02)  La Reddition de Breda ou Les Lances (detail) (df02)   1634-1635
61397 La rendicion de Breda was inspired by Velazquez first visit to Italy,  La rendicion de Breda was inspired by Velazquez first visit to Italy,   La rendicien de Breda (1634-1635, English: The Surrender of Breda) was inspired by Velazquez's first visit to Italy, in which he accompanied Ambrogio Spinola, who conquered the Dutch city of Breda a few years prior. This masterwork depicts a transfer of the key to the city from the Dutch to the Spanish army during the Siege of Breda. It is considered one of the best of Velezquez's paintings.
22739 La Tentation de Saint Thomas d'Aquin (df02)  La Tentation de Saint Thomas d'Aquin (df02)   1631-1632 The Temptation of St.Thomas Aquinas Die Versuchung des heiligen Thomas von Aquin 244 x 203 cm
22610 La Torre de La Parada (df01)  La Torre de La Parada (df01)   Felix Castello 1637 Madrid,Museo Municipal
22637 La Vierge imposant la chasuble a saint IIdefonse df02)  La Vierge imposant la chasuble a saint IIdefonse df02)   c 1620 St Ildefonso Receiving the Chasuble from the Virgin Maria schenkt dem heiligen IIdefonso ein Megewand 166 x 120 cm
22663 La Villa Medicis a Rome (deux hommes a l'entree de la grotte) (df02)  La Villa Medicis a Rome (deux hommes a l'entree de la grotte) (df02)   1630 Villa Medici in Rome (Facade of the Grotto-Logia) Villa Medici,Zwei Manner bei der Fassade der Grottenloggia 48.5 x 43 cm
22662 La Villa Medicis a Rome (le Pavillon d'Ariane) (df02)  La Villa Medicis a Rome (le Pavillon d'Ariane) (df02)   1630 Villa Medici in Rome (Pavillon of Ariadne) Villa Medici,Pavillon der Ariadne 44.5 x 38.5 cm
61401 Lady from court,  Lady from court,   Lady from court, c. 1635
22575 Lady with a Fan (df01)  Lady with a Fan (df01)   c 1635
95715 Las hilanderas con anadidos de mano ajena  Las hilanderas con anadidos de mano ajena   Date 1657 cyf
53802 Las Menin  Las Menin   mk234 1656 318x276cm
747 Las Meninas  Las Meninas   1656 Museo del Prado, Madrid
26453 Las Meninas  Las Meninas   mk50 1865 Museo del Prado,Madrid
30585 Las Meninas  Las Meninas   mk68 Oil on canvas 10'5"x9' Madrid,Prado 1656 Spain
32916 Las Meninas  Las Meninas   mk84 ca.1656 Madrid,Prado,canvas 321x281cm,
33647 Las Meninas  Las Meninas   mk86 1656/57 Ol on canvas 318x276cm Madrid,Museo del Prado
40482 Las Meninas  Las Meninas   mk156 1656 Oil on canvas 318x276cm
50729 Las Meninas  Las Meninas   mk214 1656 Oil on canvas
55772 Las Meninas  Las Meninas   mk244 318x276cm Oil on canvas
56083 las meninas  las meninas   1656,oil on canvas,126x108.625 in,320x276 cm,museo del prado ,madrid,spain
61403 Las Meninas  Las Meninas   Las Meninas (1656, English: The Maids of Honour)
67387 las meninas  las meninas   se
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Diego Velazquez
Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet

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